He should have been captain of the football team this year, but instead, heвЂ™s lost his place after suffering a skiing injury earlier in the year. HeвЂ™s the most attractive and athletic of the Walter boys and is a typical Jock. Or will she?.Д¬haracter Description: The perfect All-American Boy, Cole Walter, is blonde, tall, gorgeous, muscled and fit. Taken from the Upper West Side of Manhattan and dropped onto the upper West Side of the Continental Divide, Jackie is a little overwhelmed by her new life, but she keeps her eye on the prize: she will get back to the East Coast and to Princeton and will not permit herself to be distracted by any of - all this. She has been taken in by her motherвЂ™s old friend, Katherine Walter - only Katherine lives in a big chaotic house in Colorado with 10 kids, 9 of them boys, 2 of which take a romantic interest in her.

Jackie sees herself as a mature New Yorker, an AP student on the fast track to Princeton - then her life went all to hell when her parents and sister died in an accident. SheвЂ™s a little more innocent than you might expect, not shy or a prude but is focused on her studies and future rather than drinking, partying or meeting boys. SheвЂ™s also super bright and very motivated, and up to just before we meet her, she attended an exclusive private girlвЂ™s school on NYвЂ™s Upper East Side. JackieвЂ™s preppy and groomed rather than fashion-forward. SheвЂ™s a true Manhattanite вЂ“ sophisticated, theatre and ballet loving, latte-drinking. It is also clear that though the new writing styles have emerged, the potentiality of realistic writing style is still in existence in modern Sinhala literature and particularly in modern Sinhala novels.Character Description: Jackie Howard is a girl from a well-to-do New York Upper West Side family. This development could be considered a blessing for modern Sinhala novels in its path. Of them according to the findings, it is evident that the themes like cast, nationality and the human problems are depicted in a very powerful manner with the very productive usage of the new style of writing. This study is dedicated to communicate the thematic complexities of modern Sinhala novels with special reference to six themes in the area in detail.

The content analysis was deployed as the research methods to interpret the selected texts and to identify the thematic complexities of Post Realistic Modern Sinhala Novels. Their writing could be considered as вЂњpost -realisticвЂќ writings. Ajith Thilakasena, being a Sinhala short story writer, Kapila Kumara Kalinga, Manjula Wediwardana, Liyanage Amarakeerthi, and Mahinda Prasad Masimbula also followed the same style of writing claiming that the realistic writing style is not capable enough to portray the current complex society. Saman Kumara and Mohan Raj Madawala in the 90th decade deployed the same writing style in their novels. Successively, Sri Lankan writers like Tenyson Perera, K.K.

In the 70th and 80th decades, many novels based on the analysis of human society were published and at the end of 80th decade, the emergence of вЂњSurrealistic writing styleвЂќ was established with the publication of вЂњsansДЃrДЃranyayД“dadayakkДЃrayaДЃвЂќ by Saimon Nawagateegama in 1981, which is also is evident in Sinhala novels. This was centered around the love of youngsters in their school life. Subsequently, with its influence, many novels on the theme of individual characters were predominant and this trend was changed to certain extent with the creation of вЂњGoluhadawataвЂќ by Karunasena Jayalath in 1962. The year 1956, that Wickramasingha contributed his novel вЂњVirДЃgayaвЂќ in a new style is also considered a milestone in the history of Sinhala novels. Beginning with the first Sinhala fiction вЂњMeenaвЂќ published in 1905, the year 1944 with the publication of the novel вЂњGamperaliyaвЂќ by Martin Wickramasingha is considered the year of the introduction of realistic Sinhala novels which distinguished those from the Sinhala fiction. Reality means the sum or aggregate of all that is real or in existence, as opposed to that which is merely imaginary. The salient feature of a novel which distinguishes it from a fiction is вЂthe realityвЂ™. This holds true with Sinhala literature as well.

In many countries in the world, before the introduction of вЂњNovelsвЂќ, the tradition of вЂњfictionвЂќ prevailed. The objective of this research is to conduct an analytical study of the thematic complexities of the post realistic modern Sinhala novels.

New sinhala novels